[97], Roger Ebert of the Chicago Sun-Times, who had previously been dismissive of Lynch's work, awarded the film four stars and said, "David Lynch has been working toward Mulholland Drive all of his career, and now that he's arrived there I forgive him for Wild at Heart and even Lost Highway ... the movie is a surrealist dreamscape in the form of a Hollywood film noir, and the less sense it makes, the more we can't stop watching it". [17], Filming for the television pilot began on location in Los Angeles in February 1999 and took six weeks. In becoming free from Camilla, her moral conditioning kills her. Sort by options. Distraught, she is terrorized by hallucinations and runs screaming to her bed, where she shoots herself. [5], Since its release, Mulholland Drive has received "both some of the harshest epithets and some of the most lavish praise in recent cinematic history". This sinful pleasure is a fresh triumph for Lynch, and one of the best films of a sorry-ass year. Sort by: Newest. An old man makes a long journey by lawnmower to mend his relationship with an ill brother. It intrigues you. Neil Roberts of The Sun and Tom Charity of Time Out subscribe to the theory that Betty is Diane's projection of a happier life. experience. When they investigate, the figure appears, causing the man who had the nightmare to collapse in fright. He also portrays Betty as extraordinarily talented and that her abilities are noticed by powerful people in the entertainment industry. This Study Guide consists of approximately 21 pages of chapter summaries, quotes, character analysis, themes, and more - everything you need to sharpen your knowledge of Mulholland Drive. [125], In the British Film Institute's 2012 Sight & Sound poll, Mulholland Drive was ranked the 28th greatest film ever made. [38], Mulholland Drive has been compared with Billy Wilder's film noir classic Sunset Boulevard (1950), another tale about broken dreams in Hollywood,[8][39][40] and early in the film Rita is shown crossing Sunset Boulevard at night. After all, both women deserve the truth. This is further illustrated soon after by their sexual intimacy, followed by Rita's personality becoming more dominant as she insists they go to Club Silencio at 2 a.m., that eventually leads to the total domination by Camilla. [29] Instead, Lyons posits that Betty and Diane are in fact two different people who happen to look similar, a common motif among Hollywood starlets. The opening shot of the film zooms into a bed containing an unknown sleeper, instilling, according to film scholar Ruth Perlmutter, the necessity to ask if what follows is reality. [140] It was named Best Picture by the New York Film Critics Circle at the 2001 New York Film Critics Circle Awards and Online Film Critics Society. [133] New special features exclusive to this release include: an introduction by Thierry Jousse; In the Blue Box, a retrospective documentary featuring directors and critics; two making-of documentaries: On the Road to Mulholland Drive and Back to Mulholland Drive, and several interviews with people involved in making the film. Mulholland Drive est un film réalisé par David Lynch avec Naomi Watts, Laura Harring. We've highlighted the actors starring in multiple movies and shows nominated for Golden Globes in 2021. Diane Selwyn wakes up in her bed in the same apartment Betty and Rita investigated. Watts stated that she tried to bluff Lynch by pretending she had the plot figured out, and that he delighted in the cast's frustration. She endured some professional frustration before she became successful, auditioned for parts in which she did not believe, and encountered people who did not follow through with opportunities. The movie is an ever-deepening reflection on the allure of Hollywood and on the multiple role-playing and self-invention that the movie-going experience promises ... What greater power is there than the power to enter and to program the dream life of the culture? … As Lee Wallace suggests, by planning a hit against Camilla, "Diane circumvents the heterosexual closure of the industry story but only by going over to its storyworld, an act that proves fatal for both women, the cause and effect relations of the thriller being fundamentally incompatible with the plot of lesbianism as the film presents it". She recalled, "There were a lot of promises, but nothing actually came off. And David said, 'You have to buy the pitch for me to tell you.'" Brimming with hope, and eager to spread her wings and prove her worth, Betty moves in Aunt Ruth's expensive apartment, unbeknownst to her, however, that fate has other plans in store for her, setting the stage for life-altering experiences with the unexpected, the indecipherable, and the unknown. You feel the history of Hollywood in that road. One night, I sat down, the ideas came in, and it was a most beautiful experience. [58] She serves as the object of desire, directly oppositional to Betty's bright self-assuredness. [14], Giving the film only the tagline "A love story in the city of dreams",[8] David Lynch has refused to comment on Mulholland Drive's meaning or symbolism, leading to much discussion and multiple interpretations. [34] One analysis of Diane suggests her devotion to Camilla is based on a manifestation of narcissism, as Camilla embodies everything Diane wants and wants to be. But it is Betty's identity, or loss of it, that appears to be the focus of the film. [30] Todd McGowan, however, author of a book on themes in Lynch's films, states that the first portion of Mulholland Drive can be construed as Rita's fantasy, until Diane Selwyn is revealed; Betty is the object that overcomes Rita's anxiety about her loss of identity. "[38] A. O. Scott of The New York Times wrote that, while some might consider the plot an "offense against narrative order", the film is "an intoxicating liberation from sense, with moments of feeling all the more powerful for seeming to emerge from the murky night world of the unconscious". Mulholland Dr is reissued some 15 years after it was released. For visionary daring, swooning eroticism and colors that pop like a whore's lip gloss, there's nothing like this baby anywhere. Keep track of everything you watch; tell your friends. Enjoy all the latest styles with free shipping and wear now, pay later with Afterpay. [66] Her guilt and regret are evident in her suicide, and in the clues that surface in the first portion of the film. But I did have to reconcile all of that, and people seem to think it works. Categorized as a psychological thriller, Mulholland Drive earned Lynch the Prix de la mise en scène (Best Director Award) at the 2001 Cannes Film Festival, sharing the prize with Joel Coen for The Man Who Wasn't There. Watts was relieved that the pilot was dropped by ABC. There, the emcee explains in different languages that everything is an illusion; Rebekah Del Rio comes on stage and begins singing the Roy Orbison song "Crying" in Spanish, then collapses, unconscious, while her vocals continue. Four people were shot, one fatally, early Tuesday, Aug. 4, 2020, during a party at a home on the 13200 block of Mulholland Drive in the Beverly Crest area of Los Angeles. Brimming with hope, and eager to spread her wings and prove her worth, Betty moves in Aunt Ruth's expensive apartment, unbeknownst to her, however, that fate has other plans in store for her, setting the stage for life-altering experiences with the unexpected, the indecipherable, and the unknown. "[31] Stephanie Zacharek of Salon magazine stated that the scene's "eroticism [was] so potent it blankets the whole movie, coloring every scene that came before and every one that follows". Nick Riganas, I cant explain what have i saw in the screen yesterday. The heterosexual closure of the scene is interrupted by a scene change. In other territories outside the United States, the film grossed $12,892,096 for a worldwide total of $20,112,339. Edleman went back to Paris. Laurel Canyon Blvd./Crescent Heights Blvd. Diane is a sharp contrast to Camilla, who is more voluptuous than ever, and who appears to have "sucked the life out of Diane". While this subplot can be understood as a revenge fantasy born from jealousy, Cole argues that this is an example of Diane's transgender gaze: "Adam functions like a mirror- a male object upon which Diane might project herself". Mulholland Drive is a street and road in the eastern Santa Monica Mountains of Southern California.It is named after pioneering Los Angeles civil engineer William Mulholland.The western rural portion in Los Angeles and Ventura Counties is named Mulholland … Below I have contrasted the two films: the formulaic 2017 musical against the 2002 dirty cult film. Now, in the centre of an elaborate labyrinth of half-truths, faded memories, unrequited loves, and dangerous encounters with the city's ugly face lies a strange key to a mysterious keyhole, an even stranger indigo-blue cube, the young director, Adam, and one cryptic woman: the amnesiac brunette and devilishly seductive car-crash survivor, Rita. Lynch showed ABC a rough cut of the pilot. Homes for You Price (High to Low) Price (Low to High) Newest Bedrooms Bathrooms Square Feet Lot Size. Sinnerbrink also notes that several scenes in the film, such as the one featuring Diane's hallucination of Camilla after Diane wakes up, the image of the being from behind Winkie's after Diane's suicide, or the "repetition, reversal and displacement of elements that were differently configured" in the early portion of the film, creates the uncanny effect where viewers are presented with familiar characters or situations in altered times or locations. A casting agent takes her to a soundstage where a film called The Sylvia North Story, directed by Adam, is being cast. British Academy of Film and Television Arts, "Mulholland Drive (2001) – Box Office Mojo", "Lynch's 'Mulholland Drive' takes us to a hair-raising alternate world", "Nice Film If You Can Get It: Understanding, "Moving Beyond the Dream Theory: A New Approach to 'Mulholland Drive, "The Death of the Subject in David Lynch's, "Film Festival Review: Hollywood, a Funhouse of Fantasy", "Laura Elena Harring Explores the World of David Lynch", "The Naughts: The Romantic Pair of the '00s – IFC", "Naomi Watts interview – Naomi Watts on Mulholland Drive", "Everything you were afraid to ask about 'Mulholland Drive, "Psychological Horror in the Films of David Lynch", "Rebekah Del Rio – The story behind Llorando", "Festival de Cannes – From 15 to 26 may 2012", Mulholland Dr. Movie Review & Film Summary (2001), "Lynch's Hollyweird: 'Mulholland Drive' fantasia shows director's bizarre humor, originality", "Critic's Notebook; Shoving Through the Crowd to Taste Lyrical Nostalgia", "LA critics name Mulholland Drive Film of the Decade", "Best of the Decade #1: Mulholland Drive", "Film Comment's End-of-Decade Critics' Poll", "Best films of the noughties No 3: Mulholland Drive", "Mulholland Drive – Rolling Stone Movies – Lists", "The 25 best arthouse films of all time: the full list", "The 25 best L.A. films of the last 25 years", "The New Classics: The most enduring books, shows, movies, and ideas since 2000", "Mulholland Drive tops BBC Culture greatest film poll", "StudioCanal Collection – Mulholland Drive", "Mulholland Drive StudioCanal Collection UK Blu-ray Review", "StudioCanal Collection – The Elephant Man", "Mulholland Dr. (2001) – The Criterion Collection", "Eraserhead (1997) – The Criterion Collection", "Nominees & Winners for the 74th Academy Awards: Academy of Motion Picture Arts & Sciences", Academy of Motion Picture Arts and Sciences, "Chicago Film Critics Awards – 1998–2007", Boston Society of Film Critics Award for Best Film, Chicago Film Critics Association Award for Best Film, The Lord of the Rings: The Return of the King, National Society of Film Critics Award for Best Film, New York Film Critics Circle Award for Best Film, Online Film Critics Society Award for Best Picture. [32], Rita (Laura Elena Harring) is the mysterious and helpless apparent victim, a classic femme fatale with her dark, strikingly beautiful appearance. Referred to as a "vapid moll" by one reviewer,[68] she barely makes an impression in the first portion of the film, but after the blue box is opened and she is portrayed by Laura Elena Harring, she becomes a full person who symbolizes "betrayal, humiliation and abandonment",[31] and is the object of Diane's frustration. [64] Hence, Diane is the personification of dissatisfaction, painfully illustrated when she is unable to climax while masturbating, in a scene that indicates "through blurred, jerky, point of view shots of the stony wall—not only her tears and humiliation but the disintegration of her fantasy and her growing desire for revenge". All un-suffixed roads are streets unless otherwise noted. [50] The co-dependency in the relationship between Betty and Rita–which borders on outright obsession–has been compared to the female relationships in two similar films, Ingmar Bergman's Persona (1966) and Robert Altman's 3 Women (1977), which also depict identities of vulnerable women that become tangled, interchanging and ultimately merge: "The female couples also mirror each other, with their mutual interactions conflating hero(ine) worship with same-sex desire". It was originally a script for a pilot for ABC. [42] Commenting on the contrasting positions between film nostalgia and the putrefaction of Hollywood, Steven Dillon writes that Mulholland Drive is critical of the culture of Hollywood as much as it is a condemnation of "cinephilia" (the fascination of filmmaking and the fantasies associated with it). [43], Harring described her interpretation after seeing the film: "When I saw it the first time, I thought it was the story of Hollywood dreams, illusion and obsession. "[75] Through Lynch's juxtaposition of cliché and surreal, nightmares and fantasies, nonlinear story lines, camera work, sound and lighting, he presents a film that challenges viewers to suspend belief of what they are experiencing. Hi Everyone! "[8] Watts also had experience with the road before her career was established: "I remember driving along the street many times sobbing my heart out in my car, going, 'What am I doing here? [57] Ann Miller portrays Coco, the landlady who welcomes Betty to her wonderful new apartment. Mulholland Drive er en amerikansk spillefilm fra 2001 af den amerikanske filminstruktør David Lynch.Filmen kan karakteriseres som en typisk David Lynch-film i kraft af et uigennemskueligt plot, en … The album progresses much like a typical Lynch film, opening with a quick, pleasant Jitterbug and then slowly delving into darker string passages, the twangy guitar sounds of '50s diner music and, finally, the layered, disturbing, often confusing underbelly of the score. [52] Immediately after telling Diane that she drives her wild, Camilla tells her they must end their affair. [134] It is the second David Lynch film in this line of Blu-rays after The Elephant Man. In a 2015 BBC poll, it was ranked 21st among all American films. It just took this strange beginning to cause it to be what it is. Rated R for violence, language and some strong sexuality, Lost Highway: Why It's David Lynch's Most Underrated Movie, Mulholland Drive & 9 Other Movies That Are Open To Interpretation, Nick Nolte Turns 80 and Fans Are Celebrating the Oscar Winner's Career, Everything Coming to HBO Max in January 2021, Peter Dinklage's 5 Favorite Films Dealing With Memory, 'Their Finest' Director Lone Scherfig: Five Beloved Movies About Movies, The 25 Best Surrealist Movies of All Time, Films That Play With The Concept Of Reality, IMDb Poll Board Movies That Awoke Your Passion For Cinema, WatchMojo: Another Top 10 Scariest Scenes from Non-Horror Movies. Optimum Home Entertainment released Mulholland Drive to the European market on Blu-ray as part of its StudioCanal Collection on September 13, 2010. One film analyst asserts that Betty's previously unknown ability steals the show, specifically, taking the dark mystery away from Rita and assigning it to herself, and by Lynch's use of this scene illustrates his use of deception in his characters. [90] When the song plays, Betty has just entered the sound stage where Adam is auditioning actresses for his film, and she sees Adam, locks eyes with him and abruptly flees after Adam has declared "This is the girl" about Camilla, thereby avoiding his inevitable rejection. [40][61] Previously rehearsed with Rita in the apartment, where Rita feeds her lines woodenly, the scene is "dreck"[31] and "hollow; every line unworthy of a genuine actress's commitment", and Betty plays it in rehearsal as poorly as it is written. Some film theorists have argued that Lynch inserts queerness in the aesthetic and thematic content of the film. "[30], David Lynch uses various methods of deception in Mulholland Drive. [132] Special features in later versions and overseas versions of the DVD include a Lynch interview at the Cannes Film Festival and highlights of the debut of the film at Cannes. Soon after, Camilla invites Diane to a party at Adam's house (6980 Mulholland Drive) and at first (the secret special walk to 6980); Diane thinks that she and Camilla could possibly still have a relationship of sorts, regardless of her pairing with Adam. Mulholland Drive is a 2001 American neo-noir psychological thriller written and directed by David Lynch, starring Naomi Watts, Laura Elena Harring, and Justin Theroux.The … Ross observes that there are storylines that go nowhere: "Perhaps these were leftovers from the pilot it was originally intended to be, or perhaps these things are the non-sequiturs and subconscious of dreams. The film was released on VHS and DVD by Universal Studios Home Video on April 9, 2002,[130] in the United States and Canada, with few special features. On a film set where Adam is directing Camilla, he orders the set cleared, except for Diane—at Camilla's request—where Adam shows another actor just how to kiss Camilla correctly. Ultimately, the network was unhappy with the pilot and decided not to place it on its schedule. [122] Empire magazine placed Mulholland Drive at number 391 on their list of the five hundred greatest films ever. It is this transformation that one film analyst suggests is the melding of both identities. Meanwhile, a bungling hitman attempts to steal a book full of phone numbers and leaves three people dead. '"[16], Critic Gregory Weight cautions viewers against a cynical interpretation of the events in the film, stating that Lynch presents more than "the façade and that he believes only evil and deceit lie beneath it". [124] In 2011, online magazine Slate named Mulholland Drive in its piece on "New Classics" as the most enduring film since 2000. [41] With the use of multiple languages and a song to portray such primal emotions, one film analyst states that Lynch exhibits his distrust of intellectual discourse and chooses to make sense through images and sounds. Betty and Rita go to Diane Selwyn's apartment, where a neighbor answers the door and tells them she has switched apartments with Diane. (2001). The figure from the man's dream is revealed to have the matching blue box. ", Originally conceived as a television series, Mulholland Drive began as a 90-minute pilot produced for Touchstone Television and intended for the ABC television network. In the darker part of the film, sound transitions to the next scene without a visual reference where it is taking place. Instead of punishing Camilla for such public humiliation, as is suggested by Diane's conversation with the bungling hit man, one critic views Rita as the vulnerable representation of Diane's desire for Camilla. Directed by David Lynch. He stated in an interview, "you look at the image and the scene silent, it's doing the job it's supposed to do, but the work isn't done. The clues are: The dark-haired woman assumes the name "Rita" after seeing the name on a poster. It eventually expanded to its widest release of 247 theaters, ultimately grossing $7,220,243 at the U.S. box office. 1 . [15] Watts arrived wearing jeans for the first interview, direct from the airplane from New York City. "[65], According to Stephen Dillon, Lynch's use of different camera positions throughout the film, such as hand-held points of view, makes the viewer "identify with the suspense of the character in his or her particular space", but that Lynch at moments also "disconnects the camera from any particular point of view, thereby ungrounding a single or even a human perspective" so that the multiple perspectives keep contexts from merging, significantly troubling "our sense of the individual and the human". Lynch uses two pop songs from the 1960s directly after one another, playing as two actresses are auditioning by lip synching them. "[11] The story included surreal elements, much like Lynch's earlier series Twin Peaks. [36], Despite the proliferation of theories, critics note that no explanation satisfies all of the loose ends and questions that arise from the film. Mulholland Drive isn’t a movie about dreams, it is a dream (or, at least, until the blue box is opened)—a Hollywood horror story spun by a frustrated actress yet to cross into consciousness. Rita (the femme fatale) and Betty (the school girl) represent two classic stock lesbian characters; Heather Love identifies two key clichés used in the film: "Lynch presents lesbianism in its innocent and expansive form: lesbian desire appears as one big adventure, an entrée into a glamorous and unknown territory". It was rapidly hailed as the first great US film of the century. "[26] Michael Wilmington, writing for The Chicago Tribune found "everything in "Mulholland Drive" is a nightmare. It is a movie that you should watch it like a dream. [101], Mulholland Drive was not without its detractors. Clues to her inevitable demise, however, continue to appear throughout her dream. She is also the first character with whom the audience identifies, and as viewers know her only as confused and frightened, not knowing who she is and where she is going, she represents their desire to make sense of the film through her identity. Apart from both titles being named after iconic Los Angeles streets, Mulholland Drive is "Lynch's unique account of what held Wilder's attention too: human putrefaction (a term Lynch used several times during his press conference at the New York Film Festival 2001) in a city of lethal illusions". The sexuality erodes immediately as the scene ends and she stands before them shyly waiting for their approval. In a nutshell, I think that Mulholland Drive is a filthy and subversive La La Land. It's a movie that makes you continuously ponder, makes you ask questions. There's no right or wrong to what someone takes away from it or what they think the film is really about. Roger Ebert and Jonathan Ross seem to accept this interpretation, but both hesitate to overanalyze the film. Everything was seen from a different angle ... Now, looking back, I see that [the film] always wanted to be this way. At Adam's party, they begin to announce that Camilla and Adam are getting married; through laughs and kisses, the declaration is delayed because it is obvious and expected. [91] Unlike "Sixteen Reasons", however, portions of "I've Told Ev'ry Little Star" are distorted to suggest "a sonic split-identity" for Camilla. Find out where Mulholland Drive is streaming, if Mulholland Drive is on Netflix, and get news and updates, on Decider. "[55] However, in another interview Watts stated, "I was amazed how honest and real all this looks on screen. Adam and Camilla prepare to make an important announcement, but they dissolve into laughter and kiss while Diane watches, crying. Pierre Edleman, Lynch's friend from Paris, came to visit and started talking to him about the film being a feature. [34] Referring to the same sequence, film theorist Andrew Hageman notes that "the ninety-second coda that follows Betty/Diane's suicide is a cinematic space that persists after the curtain has dropped on her living consciousness, and this persistent space is the very theatre where the illusion of illusion is continually unmasked". These characters represent the death of creativity for film scholars,[65][73] and they portray a "vision of the industry as a closed hierarchical system in which the ultimate source of power remains hidden behind a series of representatives". He tells her she will find a blue key when the job is completed. Ebert states, "There is no explanation. TVA Films released the film theatrically in Canada on October 26, 2001. If you want to feel, to cry, to afraid, to fear, to be amazed and to be Doubtful, i think you should see that wonderful movie. Theroux said of his role, "He's sort of the one character in the film who doesn't know what the [hell's] going on. The film launched Harring's career, boosted Watts' Hollywood profile considerably, and was the last feature film to star veteran Hollywood actress Ann Miller. In actuality, it is a sound stage where Betty has just arrived to meet Adam Kesher, that the audience realizes as the camera pulls back further. Lynch liked the look and decided to cast Adam wearing similar clothes and the same hairstyle. Love's analysis of the film notes the media's peculiar response to the film's lesbian content: "reviewers rhapsodized in particular and at length about the film's sex scenes, as if there were a contest to see who could enjoy this representation of female same-sex desire the most.
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